拉康主体建构理论视域下《判决》中的人物形象  

Characters in The Judgment from the Perspective of Lacan’s Subject Construction Theory

作　　者：张一盟 栗永清[1] ZHANG Yimeng;LI Yongqing(School of Chinese Language and Literature,Shanxi Normal University,Taiyuan 030031,China)

机构地区：[1]山西师范大学文学院,山西太原030031

出　　处：《中北大学学报（社会科学版）》2024年第6期96-101,共6页Journal of North University of China：Social Science Edition

摘　　要：主体问题是近现代西方哲学的核心问题之一。当代精神分析学家和哲学家拉康从精神分析理论出发,在想象界、象征界和实在界三个领域中对主体问题作出阐述,认为主体是“分裂的主体”,即异化主体、无意识主体和欲望主体等。以此理念对卡夫卡短篇小说《判决》中格奥尔格的人物形象进行分析,可得出一种不同于近代理性哲学的新主体观,即“生成的主体”,从而更好地理解主体的不定性和生成性特点。Subject is a central issue in contemporary Western philosophy.Psychoanalyst and philosopher Jacques Lacan explored the subject through the lenses of the imaginary,symbolic,and real realms,proposing the idea of a“split subject”that includes alienated,unconscious,and desiring aspects.Applying this framework to the character of Georg in Kafka’s short story The Judgment offers a fresh perspective on the subject,distinct from the view of modern rational philosophy—what can be termed the“generative subject.”This approach provides deeper insight into the subject’s indeterminate and evolving nature.

关 键 词：拉康 主体建构 《判决》 

分 类 号：I521.074[文学—其他各国文学]