“世界君主”艺术形象在中世纪的建立与接受  

The Establishment and Reception of the“Fürst der Welt”Artistic Image in the Middle Ages

作　　者：姚明睿 潘勇[1] YAO Ming-rui;PAN Yong(Academy of Fine Arts,Huaibei Normal University,Huaibei 235000,China)

机构地区：[1]淮北师范大学美术学院,安徽淮北235000

出　　处：《哈尔滨师范大学社会科学学报》2024年第6期161-165,共5页Journal of Social Science of Harbin Normal University

摘　　要：“世界君主”是中世纪欧洲视觉艺术中融合了多种观念的艺术形象,于13世纪末产生并在14世纪末被新兴的艺术样式所取代,虽然形象的流行相对短暂,但由此所建立的艺术表达样式却为之后的一系列形象提供了阐释的基础。这个过程中,文学艺术建构了形象的视觉特征以及在当时能够被普遍接受的文化基础,形象背后视觉与文字共享着同样的文化精神,展现出自古代世界感叹世间消逝的悲剧美学与中世纪精神文化的叙事观念。The“Fürst der Welt”is an artistic image in medieval European visual arts that incorporates various concepts.It first emerged in the late 13th century and was replaced by new artistic styles by the late 14th century.Although its popularity was relatively short-lived,the artistic expression it established provided a foundation for the interpretation of subsequent images.In this process,literary art constructed the visual characteristics of this image and a culturally accepted foundation.From a historical perspective,the visual and textual aspects of the image shared the same spiritual basis,reflecting a tragic aesthetic of lamenting the transience of the world inherited from the ancient world and the narrative concepts of medieval spiritual culture.

关 键 词：世界君主 世界 中世纪文学 视觉艺术 

分 类 号：J110.93[艺术—艺术理论]