突围与困顿:2024年威尼斯双年展与惠特尼双年展  

Breakthrough and Dilemma:2024 Venice Biennale and Whitney Biennial

作　　者：侯宇轩 Hou Yuxuan

机构地区：[1]浙江师范大学设计与创意学院

出　　处：《艺术当代》2024年第3期74-77,共4页Art China

摘　　要：国际双年展是当代艺术最为重要的展示机制,对于当代艺术的走向具有指向性意义。2024年,威尼斯双年展与惠特尼双年展同时开展,前者以“处处都是外人”重新洗牌了当代艺术的身份政治话题,后者以“甚至比真实更好”,探讨了AI技术革命背景下的真实性命题。在分析本届威尼斯双年展与惠特尼双年展之后会发现,国际双年展在保持自身展览规划的同时,也会因地域文化限制,陷入自我设定的困顿当中。The International Biennale is the most important exhibition mechanism for contemporary art,and it has a directional significance for the direction of contemporary art.In 2024,the Venice Biennale and the Whitney Biennial is held simultaneously.The former reshuffles the identity politics of contemporary art with"Foreigners Everywhere",and the latter explores the proposition of authenticity in the context of the AI technology revolution with"Even Better Than the Real Thing".After analyzing this year's Venice Biennale and Whitney Biennial,we can find that while maintaining its own exhibition planning,the International Biennale will also fall into the dilemma of self-setting due to regional and cultural restrictions.

关 键 词：威尼斯双年展 惠特尼双年展 当代艺术 

分 类 号：J114[艺术—艺术理论]