从介入到生成:基耶斯洛夫斯基电影的情动效力  

From Engagement to Becoming:The Efficacy of Affect in Kieslowski's Films

作　　者：王文斌 淡安娜 Wang Wenbin;Dan Anna

机构地区：[1]武汉大学艺术学院

出　　处：《戏剧与影视评论》2024年第4期83-91,共9页Review of Theatre and Film

基　　金：2023年度国家社科基金后期资助项目“‘冷战’格局下的东方阵营电影交流研究”(项目编号:23FYSB036)。

摘　　要：以德勒兹、马苏米为代表的“情动”思想路径强调主体间的相互影响,代表一种突破限制、持续生成的强度,这与融合了创作者与观者之“在”的影像形成某种程度的耦合。本文以在商业性与艺术性方面都成就卓然的基耶斯洛夫斯基电影为例,分析了其“情动”力量的来源与影响。在内容层面,基耶斯洛夫斯基电影不满足于还原现实,而是通过虚构剧情探索尚未实现的虚拟,反常规手法的运用则令影像对观者保持开放,在生成状态中激发自身新的潜能。而观者则能经由与影像这一“情动”实体的相遇,获得丰富的感性经验,并自发产生对人与世界新的认识。The path of affect theory developed by Gilles Deleuze and Brian Massumi emphasizes the interaction between subjects,involving a kind of intensity,which can break the barriers and create new elements.This way of thinking is suitable for studying films because there is a connection between the creators and the audience hidden in each of works.Kieslowski's films have high commercial and artistic values credited to the efficacy of affect.The fictional plots and unconventional skills turned his works into affect,which could provide the audience with varied sensible experience and opportunities to view the world from a new perspective autonomously.

关 键 词：基耶斯洛夫斯基电影 “情动” 生成 感性经验 “非人” 

分 类 号：J911[艺术—电影电视艺术]