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作 者:闫立飞[1] YAN Li-fei(Library of Tianjin Academy of Social Sciences,Tianjin 300191,China)
出 处:《河北民族师范学院学报》2024年第4期70-75,共6页Journal Of Hebei Minzu Normal University
基 金:国家社会科学基金一般项目“现实主义与当代文学的发生研究(1949-1966)”(20BZW177)。
摘 要:作为真诚革命者,诗人郭小川从“批判”和“赞歌”的角度进行诗歌创作。细读1957年创作的《深深的山谷》《白雪的赞歌》和《一个和八个》三首致力于探索新的创作路径的叙事长诗,可以在郭小川构建的“爱人”与“山谷”“赞歌”与“遭遇”“一个”和“另一个”的辩证关系中,感受到其思想洪峰对堤岸的冲击和突破,这种冲击和突破作为诗人革命精神持续前进的艺术实践,体现了革命政治在当代进入叙事长诗的尝试和结果,它虽然以裂痕的形式呈现,却是革命逻辑的延伸和发展,并参与和规约着“当代文学”的建构。As a sincere revolutionary,Guo Xiaochuan creates poetry from the perspective of"criticism"and"praise"Reading the three narrative long poems,"Deep Valley","Hymn of Snow"and"One and Eight",created in 1957,which are devoted to exploring new creative paths,one can feel the impact and breakthrough of Guo Xiaochuan's idea torrent on the embankment in the dialectical relationship between"lover"and"valley","hymn"and"encounter","one"and"another".This kind of impact and breakthrough,as the artistic practice of the poet's continuous advancement of revolutionary spirit,reflects the attempt and result of revolutionary politics entering the narrative long poem in the contemporary era.Although it is presented in the form of scars,it is the extension and development of revolutionary logic,and participates in and governs the construction of"contemporary literature".
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