二陆的取法观念及其实践  

The Intertextuality and Practice by Lu Ji and Lu Yun

作　　者：蔡伊玮 CAI Yiwei(Chinese Literature Department,University of Chinese Academy of Social Sciences,Beijing 102400,China)

机构地区：[1]中国社会科学院大学文学院,北京102400

出　　处：《铜仁学院学报》2024年第5期44-51,共8页Journal of Tongren University

摘　　要：以往文论家对陆机、陆云兄弟的诗歌多批评之语,他们并不看好取法痕迹较重的作品。这种观点无疑是片面的。陆机与陆云的创作观念及其实践均体现出他们有意取法《诗经》《古诗十九首》等文本。陆机《文赋》《遂志赋》及其序言、陆云《九愍》序与《与兄平原书》等一系列文献材料均表明了他们阅读、品鉴、取法文学经典的意识与超越前人作品的志向。在创作实绩中,二陆四言诗的写作灵活地取法《诗经》,有意树立己作的典范性质,并借助引入《诗经》文本暗藏深意。就拟古诗而言,陆机充分认识到了《古诗十九首》的典范性质,希望自己的作品成为对经典文本的诠释准据,进而发展出类似拟骚传统的拟古诗写作新传统。Literary critics often made critical comments on Lu Ji and Lu Yun's poetry.They are not optimistic about the work of those who have studied too much from their predecessors.This view is incorrect.The Book of Songs and Nineteen Ancient Poems can be seen in many of Lu Ji and Lu Yun's writings.A series of literature materials such as Lu Ji's Wen Fu,Sui Zhi Fu and their prefaces,Lu Yun's Jiu Min preface,and Yu Xiong Pingyuan Shu all indicate their awareness of reading,appreciating,and intertextuality and their ambition to surpass previous works.In terms of creative achievements,the writing of two Lu's four-character poems flexibly adopts the style of The Book of Songs,intentionally establishing the exemplary nature of their own works,and using the introduction of the text of The Book of Songs to conceal profound meanings.Meanwhile,Lu Ji flly recognized the exemplary nature of Nineteen Ancient Poems and hoped that his works would become the interpretive criterion for classical texts,thus developing a new tradition of writing simulated ancient poems.

关 键 词：陆机 陆云 取法 《诗经》 《古诗十九首》 

分 类 号：I206.2[文学—中国文学]