从拒斥物性到拥抱物性:后现代主义艺术的物品性分析  

From Rejection to Embracing:Objecthood in Postmodernist Art

作　　者：李新铎 李国华 LI Xinduo;LI Guohua(School of Architecture and Design,Beijing Jiaotong University,Beijing 100044)

机构地区：[1]北京交通大学建筑与艺术学院,北京100044 [2]山东工艺美术学院工业设计学院,济南250300

出　　处：《文化艺术研究》2024年第5期92-100,116,共10页Studies in Culture and Art

摘　　要：后现代主义艺术审美体系,一方面强调对于物性的拒斥,追求观念性与偶然性;另一方面又不断地回归物性,强调对材料的使用。后现代主义对于物的复杂态度使得艺术与物性的关系在对立与统一中不断演进。同时,机械化大生产所带来的媒介爆炸,使得物品开始充斥人们生活的各个方面。因此,重新审视物品性与艺术创作的关系是我们今天必须面对的问题。In postmodernist art,there is an emphasis on rejecting objecthood in favor of conceptuality and randomness.At the same time,there is a continuous return to objecthood,highlighting the use of materials.Postmodernism's complex attitude towards objects leads to an evolving relationship between art and objecthood,contradictory but unified.Additionally,the media explosion brought about by mechanized mass production has caused objects to overwhelm people's lives.Re-examining the relationship between objecthood and artistic creation is a challenge we have to face today.

关 键 词：物性 后现代主义 媒介 现代艺术 

分 类 号：J06[艺术—艺术理论]