以艺术共享为媒:云南楔子鼓乐中的民族文化交融  

Taking Art Sharing as the Medium:A Study on the Blending of National Cultures in Yunnan Wedge Drum Music

作　　者：李妍 LI Yan(Southwest Frontier Ethnic Research Center,Yunnan University,Kunming 650091,China)

机构地区：[1]云南大学西南边疆少数民族研究中心,云南昆明650091

出　　处：《北方民族大学学报（哲学社会科学版）》2024年第6期23-36,共14页Journal of North Minzu University(Philosophy and Social Science)

基　　金：云南省哲学社会科学艺术科学规划项目“云南跨民族楔子鼓乐文化研究”(A2019YY08)。

摘　　要：云南楔子鼓乐是以壮族、瑶族聚居区共享器物楔子鼓勾联、整合多种民俗事象,并从中剥离出来的音乐,具有兼收并蓄、多元并包的文化特征。楔子鼓及其鼓乐是不同民族文化交流互鉴的重要载体,蕴藏了壮族、瑶族、汉族等民族共享的制鼓技艺、宗教观及文化价值观。通过分析不同地域不同民族楔子鼓乐文化实践的共同性,认为互嵌的社会结构,共享与认同的民族文化,以及文化符号与文化共同体建构的目标导向,是楔子鼓乐流布区域民族文化交融的实践机制。作为促进民族交融、增强中华民族凝聚力的媒介和文化纽带,楔子鼓乐的传播为建构区域文化共同体和中华民族文化共同体提供了可能性和区域案例。Yunnan wedge drum music is a kind of music separated from the wedge drums shared by Zhuang and Yao people in areas where Zhuang and Yao people live in compact communities.It has the cultural characteristics of eclecticism and pluralism.Wedge drum and its drum music are important carriers for cultural exchanges and mutual learning among different ethnic groups,and contain drum-making skills,religious views and cultural values shared by Zhuang,Yao and Han ethnic groups.By analyzing the commonality of cultural practice of wedge drum music in different regions and nationalities,this paper holds that the practical mechanism of blending national cultures in wedge drum music spreading areas is the embedded social structure,shared and recognized national cultures,and the goal orientation of cultural symbols and cultural community construction.As a medium and cultural link to promote social integration and enhance national cohesion,the spread of wedge drum music provides possibilities and regional cases for the construction of regional cultural community and Chinese national cultural community.

关 键 词：楔子鼓乐 文化交融 文化符号 文化共同体 

分 类 号：C956[社会学—民族学]