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作 者:石钟月 郭鹏[1] Shi Zhongyue;Guo Peng(School of Literature,Shanxi University,Taiyuan 030006,China)
出 处:《洛阳师范学院学报》2024年第9期46-49,共4页Journal of Luoyang Normal University
摘 要:欧阳玄的诗学思想与其文臣身份息息相关,他一直对礼乐文化十分重视,始终秉持“雅正”的文学观念。欧阳玄文辞多为馆阁之音,呈现出“舒徐和易”的为文风格。作为元代翰林国史院的重要文儒,欧阳玄敏锐地意识到后期文坛一味拟古的风气,提出了自己的“性情论”主张,以革新元初文坛过度强调“性情”的论调。虽然说欧阳玄的诗学理论与其学术思想有关,但欧阳玄的身份意识不仅直接决定了他诗学理论的基本走向,而且也对有元一代文风的塑造带来了更多的话语权。Ouyang Xuan’s poetic thought is closely related to his identity as a civilian official.Ouyang Xua always attached great importance to the ritual and music culture and always uphold the literary concept of elegance and legitimism,so his diction highlighted elegance and solemnness,showing the simple and leisurely writing style.As an important literary scholar of Hanlin Historiography Academy in the Yuan Dynasty,Ouyang Xuan put forward the“temperament concept”to reject archaism.The result shows that Ouyang Xuan’s poetics theory is related to his academic thought,but his identity consciousness not only directly determines the basic trend of his poetics theory but also brings more right of speech to the shaping of the literary style of the Yuan Dynasty.
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