儒家伦理与图像叙事——钟化民《圣谕图解》对明太祖六谕的诠解  

Confucian Ethics and Pictorial Narrative: Zhong Huamin's "Illustrated Explanation of the Sacred Edict" and the Interpretation of the Six Edicts of Emperor Zhu Yuanzhang of the Ming Dynast

作　　者：邢莉莉[1] 陈时龙 XING Lili;CHEN Shilong

机构地区：[1]天津美术学院艺术与人文学院,天津300011 [2]中国社会科学院考古研究所,北京100101

出　　处：《原生态民族文化学刊》2024年第6期68-76,154,共10页Journal of Ethnic Culture

基　　金：国家社科基金项目“明清时代六谕诠释史研究”(18BZS067)。

摘　　要：明太祖朱元璋的六谕及明代士大夫对其诠释,体现了儒家伦理在基层社会的延展与渗透。作为一位有深厚理学修养的儒学官僚,陕西茶马御史钟化民适应晚明图像化的潮流并响应朝廷以图像诠释六谕的号召,在万历十五年刊刻《圣谕图解》碑。六幅图像描述了“王祥卧冰”“司马光侍兄”“黄尚书让地”“孟母断杼”“陶侃运甓”“陈寔遗盗”等六个道德故事,分别诠释了“孝顺父母”“尊敬长上”“和睦乡里”“教训子孙”“各安生理”“各安生理”“毋作非为”六项伦理原则。图像对历史上的相关图像有一定的借鉴与综合,但也有创新与发展,其所具备的直观性、叙事性推动了明太祖六谕在晚明的传播。The Six Edicts of Emperor Zhu Yuanzhang and the interpretation by the scholar-officials of the Ming Dynasty exemplified the expansion and infiltration of Confucian ethics into the grassroots level of society.Zhong Huamin,a Confucian bureaucrat with a deep cultivation in Neo-Confucianism,catered to the late Ming trend of visual imagery and heeded the court's call to elucidate the Six Edicts through visual means.In the 15th year of the Wanli reign,he published the'Illustrated Explanation of the Sacred Edict'on a stele.The six images narrated the moral tales of"Wang Xiang's Filial Piety","Sima Guang's Brotherhood","Huang's Generosity","Meng Mu's Loom","Tao Kan's Diligence"and"Chen Shi's Benevolence",each interpreting the ethical principles of"filial piety to parents","respect for elders","harmony with neighbors","instruction of offspring","contentment with one's lot"and"abstaining from misconduct".These images,while drawing on and integrating historical visuals,also exhibited innovation and development.Their intuitive and narrative qualities facilitated the dissemination of Emperor Zhu Yuanzhang's Six Edicts in the late Ming period,offering a new perspective for reflecting on the transformation of Confucianism during the Ming and Qing Dynasties.

关 键 词：六谕 钟化民 《圣谕图解》 

分 类 号：K248[历史地理—历史学]