混沌·向内转及变形术--莫言《透明的红萝卜》的叙述突破  

The Chaos,the Internal Rotation and the Deformation Technique:The Narrative Breakthrough of Mo Yan’s Transparent Carrot

作　　者：王学谦[1] WANG Xueqian(College of Literature,Jilin University,Changchun,Jilin 130012,China)

机构地区：[1]吉林大学文学院,吉林长春130012

出　　处：《吉林师范大学学报（人文社会科学版）》2024年第6期53-59,共7页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：教育部项目“东北区域汉语言文学专业虚拟教研室”。

摘　　要：莫言的小说《透明的红萝卜》是其创作的突破。该小说打破了伤痕文学、反思文学的叙述成规。小说虽然设置了“文革”背景,却又在一定程度上淡化了“文革”叙述,从而造成一种内蕴的混沌。在最初的阅读时,如莫言的老师徐怀中以及他的同班同学,都感受到了这篇小说的模糊性。小说展现出明显的“向内转”倾向,对于人物的内在心态、情绪、欲望进行了深度叙述。此外,人物形象的扭曲与变形为作品增添了独特的魅力。同时,小说的感觉化语言,也受到朦胧诗通感语言的影响。Mo Yan’s novel Transparent Carrot is his breakthrough in creation.The novel breaks the narrative conventions of scar literature and reflective literature.Although the novel is set against the back⁃drop of the Cultural Revolution,it to some extent dilutes the narrative of the Cultural Revolution,resulting in an inherent chaos.In the initial reading,both Mo Yan’s teacher Xu Huaihuai and his classmates felt the ambiguity of this novel.The novel has a clear tendency to“internal rotation”and deeply narrates people’s inner mentality,emotions and desires.The transformation of characters also adds charm to the novel.At the same time,the sensory language of the novel is influenced by the synesthetic language of vague poetry.

关 键 词：莫言 《透明的红萝卜》 混沌 向内转 

分 类 号：I206.7[文学—中国文学]