数字化视角下中国哲学思想在游戏媒介中的传承与创新——以《黑神话:悟空》为例  

The Inheritance and Innovation of Chinese Philosophical Thoughts in Game Media from the Perspective of Digitalization:A Case Study of"Black Myth:Wukong"

作　　者：朱洁[1] 陈韵萱 ZHU Jie;CHEN Yunxuan(School of Humanities,Nanchang University,Nanchang 330031,China)

机构地区：[1]南昌大学人文学院,江西南昌330031

出　　处：《三明学院学报》2024年第5期53-60,共8页Journal of Sanming University

基　　金：江西省学位与研究生教育教学改革研究项目(JXYJG-2022-017)。

摘　　要：游戏《黑神话:悟空》巧妙融合了中国哲学精髓。该游戏对中国佛教思想进行了数字化演绎,通过游戏机制与叙事阐释了轮回与因果的观念,还以禅宗视角解读了“真心”与“妄心”的内涵,展现了中国佛教哲学在游戏中的独特魅力。同时,游戏对中国传统道教体系进行了生动可视化呈现,尤其是道教神仙体系的游戏化重构与道家逍遥思想在大世界探索设计中的巧妙融入,为道教哲学在游戏世界的构建提供灵感源泉。游戏以数字化方式传承并丰富了传统文化,这为数字媒介在文化传承与创新中的作用提供了新视角,展现了其在现代文化传播中的独特价值。The game Black Myth:Wukong is a clever blend of the essence of Chinese philosophy.The game digitally expounds Chinese Buddhist thought,explains the philosophy of reincarnation and karma through game mechanics and narrative,and interprets the connotation of"true heart"and"delusional heart"from the perspective of Zen Buddhism,demonstrating the unique charm of Chinese Buddhist philosophy in the game.Meantime,the game presents a vivid visualization of the tradition⁃al Chinese Taoist system,especially the reconstruction of the Taoist deity system and the clever integration of the Taoist idea of freedom and liberty in the open-world design,which reveals how Taoist philosophy can provide a source of inspiration for the construction of the game world.The game has successfully passed on and enriched traditional culture in a digital way,which provides a new perspective on the role of digital media in cultural inheritance and innovation,and shows its unique value in modern cultural communication.

关 键 词：《黑神话:悟空》 道教 佛教 数字化重构 

分 类 号：G206.7[文化科学—传播学]