何止碑与画:《鱼游春水》词的异文形态及其源流  

Not Only Steles and Paintings:The Different Forms and the Origins of the Ci poem Fish Swimming in Spring Water

作　　者：叶晔 Ye Ye

机构地区：[1]北京大学中国语言文学系,北京100871

出　　处：《南京师范大学文学院学报》2024年第3期36-47,共12页Journal of School of Chinese Language and Culture Nanjing Normal University

摘　　要：源自出土碑石、见于多种南宋词籍文献的《鱼游春水》词,是唐宋词中唯一一首在南宋时期就涵盖了碑、画、唱、抄、刻五种文本形态的作品。在已发覆的常见文献之外,今辽宁省博物馆藏南宋《玉楼春思图》上的题词,及未入《全唐五代词》校勘记的十种《能改斋漫录》明清抄、刻本的异文,呈现出与传世文献不同的异文形态,其中蕴含的多重媒介因素有待重视。以实物文献的眼光,通过多种路径重新审视唐宋词的异文问题,理应成为词学研究在文献学发展新机遇下的一个重要拓展方向。The Ci poem Fish Swimming in Spring Water,which originated from the unearthed stele and found in various Ci books of the Southern Song Dynasty,is the only one in Tang and Song Dynasty that covers the five text forms of stele,painting,singing,copying and engraving.In addition to the common documents that have been rediscovered,the inscriptions on The Painting of Longing for Spring on the Jade Building in the Southern Song Dynasty collected by Liaoning Provincial Museum and the nine copies of Nenggaizhai Manlu in the Ming and Qing dynasties that are not included in the collation notes of the All Ci Poems of Tang and Five Dynasties show different forms from the handed down documents,which contain multiple media factors that should be paid attention to.It should be an important direction for Ci research to expand under the new opportunity of philology to re-examine the different texts of Tang and Song Ci from the perspective of material texts through various ways.

关 键 词：《鱼游春水》 文本形态 传播方式 宋画题词 抄本异文 

分 类 号：H207.23[语言文字—少数民族语言]