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作 者:邢志颖 Xing Zhiying
机构地区:[1]宁波大学音乐学院
出 处:《中国音乐》2024年第6期164-172,共9页Chinese Music
基 金:2021年度教育部人文社会科学研究规划项目“中华音乐文化在日本的当代传承与流播研究”(项目编号:21YJA760062)的阶段成果。
摘 要:《玉堂琴谱》是由日本江户琴士浦上玉堂编纂、成书于日本江户时代宽政元年(1789)的一本古琴琴谱。它以宽政三年(1791)翻刻版为流通本,宽政元年初镌版因部分版元的丢失而未能出版发行。日本国立国会图书馆藏本为善本,冈山县立图书馆藏本有“错简”现象。日本国立国会图书馆藏本中的批注内容以筝谱为主,骨干音与《仁智要录》所载曲谱旋律基本相同,可为深入研究《玉堂琴谱》中的音乐成分与唐乐之间的联系提供重要参考。《玉堂琴谱》的琴曲是浦上玉堂参考《三五要录》与《仁智要录》的同名催马乐曲调并经过田野调查后再创作的曲目,它借鉴并传承了中日两国琴谱的记谱方式,记谱节奏以方格谱的形式表示,一个方格谱代表一拍,并用多谱字并于一格的方式,来显示节奏的变化。“、”与“。”是催马乐曲谱节奏的演变形式,在演奏上代表的节奏意义有限,主要帮我们理解乐句节点。Gyokudoukinfu is an early musical score compiled by Japanese scholar Uragami Gyokudou in the first year of the Kansei era(1789).This score,a circulating edition based on a reprint from the third year of the Kansei era,reflects significant historical and musicological insights.The original edition from the first year of Kansei was never fully published or distributed due to the loss of key editorial elements.While the collections of the National Diet Library of Japan preserve a well-preserved version,other collections,such as that of the Okayama Prefectural Library,exhibit page misalignments.Annotations in the National Diet Library's collection focus mainly on zither notation,and the backbone notes closely resemble the melodies found in Renzhi Yaolu.This provides valuable references for further exploring the relationship between the musical structures in Gyokudoukinfu and ancient Tang dynasty music.Uragami Gyokudou composed Gyokudoukinfu by referencing Sanwu Yaolu and Renzhi Yaolu and through extensive field research.The work draws heavily from and inherits both Chinese and Japanese Qin notation methods.The rhythm in Gyokudoukinfu is depicted using grid notation,where each grid corresponds to one beat,and rhythmic variations are represented through the combination of multiple characters within each grid.The symbols"、"and"."represent minor rhythmic cues,derived from the notation of Saibara songs,offering limited rhythmic significance but aiding in the interpretation of musical phrase structures.
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