论莎士比亚《暴风雨》中的创作意图和价值观倾向  

On the Creative Intent and Value Orientation in Shakespeare’s The Tempest

作　　者：马跟帅 李思远 Ma Genshuai;Li Siyuan(Guangdong Technology College,Zhaoqing,526100,China;Guangzhou Huali College,Jiangmen,529100,China)

机构地区：[1]广东理工学院,肇庆526100 [2]广州华立学院,江门529100

出　　处：《语言与文化研究》2024年第6期217-222,共6页Language and Culture Research

摘　　要：国内对莎士比亚的研究主要集中在人文主义角度对其作品进行解读,而很少深入探究其宗教渊源。现有的宗教研究也主要集中在意象、隐喻等层面,或结合历史研究进行探讨。本文从宗教意识与剧作家莎士比亚的关联性入手,以梁实秋《暴风雨》译本为研究对象,参考基督教经典、詹姆斯钦定版《圣经》,分析其戏剧创作时有意或无意识的宗教认知流露与其宗教渊源,探究剧作家的创作意图和价值观倾向。本文主要研究:1.宗教意识在剧中角色身上的体现;2.宗教意识在《暴风雨》中所涉及主题上的体现;3.剧作家莎士比亚对宗教的态度和宗教意识的流露。Domestic researchers on Shakespeare mostly analyze The Tempest from the perspective of humanism,and few researchers explore its religious origins.Existing religious studies always start from the level of intention and metaphor,or combine religious studies with historical studies.In this condition,the article starts from the link between religious consciousness and its author Shakespeare,using classic Christian legends and King James Bible as models,to find out the conscious or unconscious revelation of religious cognition and religious beliefs in Shakespeare’s The Tempest.By tracing the source of religious consciousness,the article aims to explore the author’s intentions of creation and value orientation in his late period of creation.The article focuses on three issues:1.Religious consciousness of the characters in the play;2.Religious consciousness on the themes involved in The Tempest;3.The author Shakespeare’s attitude towards religion and the revelation of religious consciousness.

关 键 词：《暴风雨》 莎士比亚 英国文学 宗教意识 

分 类 号：I20[文学—中国文学]