文化工业的数字转向:阿多诺视角下的精神困境与艺术使命  

The Digital Transformation of Cultural Industry:The Spiritual Dilemma and Artistic Mission from Adorno’s Perspective

作　　者：李梦琪 Li Mengqi(Shandong University,Jinan,250100,China)

机构地区：[1]山东大学马克思主义学院,济南250100

出　　处：《语言与文化研究》2024年第6期268-271,共4页Language and Culture Research

摘　　要：在数字资本主义时代,文化工业的转向标志着一种新的文化生产方式的形成,数字技术的发展暴露出文化工业滥用艺术要素的本质,进而加剧了文化产品的同质化和低俗化,并通过对大众精神世界的操控,实现了数字资本的意识形态再生产。对数字资本主义文化生产机制的分析,能够揭示其内在的矛盾和冲突,探讨艺术在当代所面临的挑战和使命。艺术创作应成为对数字资本逻辑的批判性反思,通过揭示技术对人的异化,以及对社会问题的关注,引领大众进行反思和反抗,并创作出具有思想性和艺术性的作品,以实现对数字资本主义意识形态的解构和超越。In the era of digital capitalism,the shift of cultural industry marks the formation of a new mode of cultural production.The development of digital technology exposes the essence of cultural industry’s abuse of artistic elements,which exacerbates the homogenization and vulgarization of cultural products,and through the manipulation of the mass spiritual world,realizes the ideological reproduction of digital capital.The analysis of the cultural production mechanism of digital capitalism can reveal its inherent contradictions and conflicts,and explore the challenges and missions that art faces in contemporary times.Art creation should become a critical reflection on the logic of digital capital.By revealing the alienation of technology on people and the attention to social issues,it should lead the public to reflect and resist and create works with ideological and artistic qualities so as to deconstruct and surpass the consciousness form of digital capitalism.

关 键 词：文化工业 数字资本主义 艳俗艺术 庸俗艺术 精神困境 

分 类 号：G63[文化科学—教育学]