宋代陈设“用具”与“用器”的关系话语体系  

The Discourse System of the Relationship Between Furnishing“Utensils”and“Using Utensils”in the Song Dynasty

作　　者：韩荣[1] 胡雨萍 Han Rong;Hu Yuping

机构地区：[1]江苏大学艺术学院,江苏镇江212000

出　　处：《家具与室内装饰》2024年第10期7-13,共7页Furniture & Interior Design

基　　金：国家社会科学基金艺术学一般项目(21BG110)。

摘　　要：宋代是中国古代陈设艺术的转型期,此时陈设空间被系统化规制,功能被逐渐细分。本文从宋代家具与器具的传统范畴中进一步划分出陈设用具与用器,探讨二者在空间感知维度的关系话语体系,凝练陈设规律,拓展宋代陈设固有定式。基于图像与文本资料的互证,本文对用具与用器所形成的组合关系与结构关系进行二维图像解构与三维空间再塑,发现组合关系中形成了“聚焦性”“界域性”规约,结构关系中出表现“共振”“弹性”特征,共同体现空间连贯性与情感连带性。最终总结出陈设器具组合所透射规律定式,即群体认知主导的拟合定式,空间经验派生的依生定式以及物我感通引向的格物定式。本文不仅回应了宋代美学“精致寓理”的造物观念,更从陈设关系的新式解读中完成了动因式的原理揭示,为当代陈设领域产品设计内涵式、外延式发展提供了研究依据和创新视角。The Song Dynasty was a transitional period in ancient Chinese furnishing art,during which furnishing spaces became systematically regulated and their functions increasingly specialized.This study further distinguishes furnishing“utensils”and“using utensils”from the traditional categories of Song furniture and explores their discourse system of relationships within spatial perception.By analyzing images and textual materials,it reconstructs the two-dimensional combination relationships and three-dimensional structural relationships of furnishing elements,uncovering conventions such as“focality”and“bounded regions”in combinations and“resonance”and“elasticity”in structures.These features reflect spatial coherence and emotional connection.The study identifies three furnishing patterns:the fitting pattern dominated by group cognition,the dependent pattern derived from spatial experience,and the pattern driven by sensory-object empathy.It not only responds to the Song aesthetic concept of“exquisite connotation”but also offers innovative perspectives for the connotative and extensional development of contemporary furnishing design.

关 键 词：宋代家具 陈设空间 关系话语 造物观念 器具 陈设艺术 

分 类 号：TS664.1[轻工技术与工程]