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作 者:张小开 吕金英 Zhang Xiaokai;LüJinying
出 处:《家具与室内装饰》2024年第10期26-31,共6页Furniture & Interior Design
基 金:天津市教委社会科学重大项目“艺术设计赋能乡土文化转化与助力乡村高质量发展研究”(2023JWZD34)。
摘 要:唐代是中国传统家具发展的重要时期,也是我国家具形制变革的过渡时期。本文主要基于文献研究法对《全唐诗》中的唐代竹器物和竹家具出现频次进行统计,同时对其品类归纳与总结,分别归纳出唐代竹器物的八大类别为乐器类、其他类、生活类、生产类、文化类、军事类、交通类和景观建筑类。唐代竹家具的七大类别为坐具类、卧具类、承具类、架具类、庋具类、屏具类和其他类。其次,用绘画作品和史料对唐代竹家具进行佐证,并分析全唐诗中竹器物和竹家具的品类特征。最后,得出唐代竹家具的设计特征为:体系已成型,趋于完整;规整大气,自然生动;功能齐全,且创新发展;开槽热弯,榫卯结构;竹似贤,高人必爱竹。The Tang Dynasty marked a significant period for the development of traditional Chinese furniture and served as a transitional phase for structural evolution.Using a literature research method,this study analyzes the frequency of bamboo objects and furniture mentioned in the Complete Tang Poems.Eight categories of bamboo objects are identified:musical instruments,life tools,production tools,cultural artifacts,military equipment,transportation,landscape architecture,and others.Bamboo furniture is classified into seating,bedding,bearing,shelving,storage,screens,and miscellaneous categories.Paintings and historical records validate these classifications,revealing their distinctive features in poetry.The study concludes that Tang Dynasty bamboo furniture was characterized by a well-formed system,structured completeness,functional versatility with continuous innovation,and the use of slotting,hot bending,and mortise-and-tenon joints.Bamboo,symbolizing virtuousness,became a favored material for scholars.
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