郁郁葱葱——以“葱”治“郁”  

FROM GLOOMY TO BLOOMY

作　　者：李昀霖 蒋显茜 尤洋 翟小溪 罗雯(指导) 靳铭宇(指导) Li Yunlin;Jiang Xianxi;You Yang;Zhai Xiaoxi;Luo Chuanwen;Jin Mingyu(North China University of Technology;不详)

机构地区：[1]北方工业大学 [2]不详

出　　处：《城市环境设计》2024年第4期74-77,共4页Urban Environment Design

摘　　要：设计说明今观古人诗画,其必见山,入仕则巍峨雄壮,志气凌云;出仕则笔翼纵横,超然物外。画中之山,的是心,可见我们向来习惯于与山、与自然进行沟通,让这类拥有绝对高度的土石,占领人们心灵的高地,其皆源于“古人之观于天地、山川、草木、虫鱼、鸟兽,往往有得,以其求思之深而无不在也”的行径,出于对世间万物的体察,古人将自身寄于万物,求解于自然,从而孕育出最古老的哲学,从此天与人联系紧密,浑然一体。Design Description Poetry and paintings of ancient people were either towering and majestic mountains,showing lofty aspirations when the originator became an official or on the contrary,the composition seemed to be detached from the world.The mountains in the painting actually reflected one's inner world.We have always been accustomed to communicating with the mountains and nature,allowing them to dominate our spirit.Such behavior actually inherited from ancient people's observation on nature,on mountains and rivers,on vegetation and trees,on insects and fish,on birds and beasts.

关 键 词：设计说明 超然物外 绝对高度 

分 类 号：G63[文化科学—教育学]