构建当代戏曲评论话语体系的原则、路径和方法  

The Principles,Paths,and Methods for Establishing a Discursive System for Contemporary Xiqu Criticism

作　　者：赵建新[1] Zhao Jianxin

机构地区：[1]中国戏曲学院

出　　处：《中国文艺评论》2024年第11期43-51,I0002,共10页China Literature and Art Criticism

基　　金：2023年度国家社科基金艺术学重大项目“戏剧与影视评论话语体系及创新发展研究”(项目批准号:23ZD07)的阶段性成果。

摘　　要：当代戏曲艺术在剧目题材、舞台风貌和传播方式上都发生了广泛而深刻的变化。构建当代戏曲评论话语体系,要在“两个结合”的前提下,以“创造性转化”和“创新性发展”为基础,立足戏曲艺术的历史发展和当代境遇,在时代发展中把握新的戏曲形态和旧有传统之间的关系,努力做到坚持历史的原则和动态的原则,立足融合、实践和民间三种路径,尝试共性和个性相结合、文本和舞台相结合、内部批评和外部批评相结合以及跨学科等四种方法。Contemporary Xiqu(traditional Chinese opera)art has undergone extensive and profound changes in the subject matter,stage style,and dissemination methods of its plays.To construct a discursive system for contemporary Xiqu criticism,it is necessary to base it on“creative transformation”and“innovative development”under the premise of“Two Combinations”,based on the historical development and contemporary situation of Xiqu art,grasp the relationship between new Xiqu forms and old traditions in the development of the times,and strive to adhere to the principles of history and dynamics.On the basis of the three paths of integration,practice,and folk culture,it is necessary to try four methods:the combination of commonality and individuality,the combination of text and stage,the combination of internal criticism and external criticism,and interdisciplinary approaches.

关 键 词：戏曲批评体系 戏曲评论 评论话语 原则 路径 方法 

分 类 号：J805[艺术—戏剧戏曲]