马克思主义美学思想的拓展:再论“新感性”  

The Expansion of Marxist Aesthetic Thought:A Re-discussion of“New Sensibility”

作　　者：王虹 Wang Hong

机构地区：[1]中国社会科学院大学 [2]西南民族大学艺术学院理论教研室

出　　处：《政治经济学研究》2024年第3期125-134,共10页Chinese Journal of Political Economics

摘　　要：马尔库塞把艺术作为批判和解放的力量来加以阐释,并提出“新感性”这个概念来批判现代资本主义社会对人类精神的压抑和摧残,于是这个概念的定位不可避免地走向了“乌托邦”叙事。但是,随着资本主义社会进入新帝国主义阶段,“乌托邦”本身已经被污名化,资本主义宣传机器制造出了“反乌托邦”的意识及题材来加以攻击,使得马尔库塞的理论支点作用不复存在。因此就需要重新思考和阐释“新感性”的概念。本文尝试从扬弃资本主义的“情绪化-符号化”、恢复感性与理性的协调性两个方面对“新感性”如何建立问题进行论证,探讨消除资本主义情感异化及建立新文化逻辑的可能性。Marcuse interpreted art as a critical and liberating force,and proposed the concept of“new sensibility”to critique the suppression and oppression of human spirit in modern capitalist society.Therefore,the positioning of this concept inevitably led to a“utopia”narrative However,as capitalist society entered the post-industrial era,“utopia”itself had been stigmatized,and the capitalist propaganda machine produced“anti-utopia”consciousness and themes to attack it,and Marcuse's theoretical pivot role disappears with it.Therefore,it is necessary to rethink and reinterpret the concept of“new sensibility”.This paper attempts to argue how“new sensibility”can be established by transcending capitalism's“emotional-symbolization”and restoring the harmony between sensibility and reason,and explore the possibility of eliminating capitalist emotional alienation and establishing a new cultural logic.

关 键 词：新感性 符号化 协调性 新文化逻辑 

分 类 号：F0-0[经济管理—政治经济学]