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作 者:张江[1] ZHANG Jiang(Institute of Advanced Studies in Hermeneutics,University of Chinese Academy of Social Sciences,Beiing 102488,China)
机构地区:[1]中国社会科学院大学阐释学高等研究院,北京102488
出 处:《北京师范大学学报(社会科学版)》2024年第6期81-89,共9页Journal of Beijing Normal University(Social Sciences)
基 金:国家社会科学基金重大项目“新时代中国特色文艺理论基本问题研究”(18VXK007)。
摘 要:在阐释学意义上,“表”与“演”各有功能及取向,其目的与方法不同。在认识论意义上,两者各有定位与路径,其相互关系与演进路线清晰。“表”坚守事物之本相、本义,其言说过程遵守客观约束。“演”以本义为根据,深入产出演者之意,其动作目的任从主观故意。“表”与“诠解”相通,显现对象客观本义。“演”与“阐衍”相通,开扬演者主观志意。作为过程与目的相统一的“表演”,由表切入而有所演,结果与成功在演。表与演、诠与阐相互发生,相互支撑,实现自身的无限循环。In the sense of hermeneutics,"expression"and"performance"have their own functions and orientations,and their purposes and methods differ.In the sense of epistemology,each has its own positioning and path with a clear relationship and evolutionary trajectory."Expression"adheres to the true nature and original meaning of things,and its process of speech is governed by objective constraints,while based on the original meaning,"performance"delves into the performers'intentions,with its actions aimed at subjective intentions."Expression"is in harmony with elucidation,revealing the objective original meaning of the object."Performance"is in harmony with elaboration,upholding the subjective intention of performers.As the unification of the process and purpose,"performance"begins with expression and leads to something performed,with the outcome and success lying in the performance.Expression and performance,as well as interpretation and elaboration,they interact and support each other,realizing their own infinite cycle.
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