检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:张光[1] Zhang Guang(School of Finance and Economics,Hainan Cultural Study Center,University of Sanya,Sanya 572022,P.R.China;School of Public Affairs,Xiamen University,Xiamen 361005,P.R.China)
机构地区:[1]三亚学院财经学院海南文化研究中心,三亚572022
出 处:《山东大学学报(哲学社会科学版)》2024年第6期49-60,共12页Journal of Shandong University(Philosophy and Social Sciences)
摘 要:马克思是在《资本论》和《剩余价值理论》等经济学著作中阐述其艺术生产理论的,这意味着他更多的是从经济学而非哲学层面立论,其核心问题是艺术家能否成为为资本生产剩余价值的劳动力商品。资本主义生产本质上是剩余价值的生产,以资本购买并运用劳动力商品和生产资料的方式进行。马克思对视觉艺术(包括文学)和表演艺术做了细致的区分:前者如作家、画家的创作,至多为向形式上从属于资本过渡的状态;后者则可能以剧院老板雇佣演员演出为其创造剩余价值的方式出现,处于形式上从属于资本的状态。艺术生产之所以无法在实际上从属于资本,是因为它无法采用机器大生产和规模经济的方式进行。这一点表明,在某种意义上,马克思是鲍莫尔成本病理论的先驱。Marx expounded his theory of the production of art primarily in economic works such as Das Kapital and Theories of Surplus Value,indicating that his arguments are rooted more in economics than in philosophy.The central question is whether artists can become labor commodities producing surplus value for capital.Marx’s discourse on the capitalist mode of production is concentrated in the distinction between two formulas“W-G-W”and“G-W-G”.The former represents commodity circulation,where“W-G”means the conversion of commodities into money,and“G-W”is the conversion of money back into commodities,selling in order to buy.The latter is the formula for the movement of capital,where“G-W”means the conversion of money into commodities,and“W-G”is the transformation of commodities back into money—buying in order to sell,with the increment being surplus value.The key to capital’s surplus value production lies in the commodities it purchases(G-W),which include both constant capital(e.g.,raw materials)that only transfers value,and variable capital that can generate added value.The products of labor purchased with variable capital not only cover wage costs but also yield surplus value.These comprise necessary labor and surplus labor,with the latter manifesting as absolute and relative surplus value production.Absolute surplus value production occurs when labor time exceeds the value represented by wages without changing the production mode.Relative surplus value production involves increasing surplus labor time by shortening necessary labor time through technological and organizational advances,such as large-scale machine production.Thus,the question of whether artists can become labor commodities producing surplus value for capital becomes a matter of how they can be absorbed by capital.In addressing this,Marx distinguished between visual arts(including literature)and performing arts.The former,such as writers’and painters’creations,cannot produce relative surplus value,at most representing a tran
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:18.224.70.193