《红楼梦传奇》副文本题写向度与心理机制  

The Writing Perspective and Psychological Mechanism of Subtext Inscription in The Legend of a Dream of Red Mansions

作　　者：李淑岩[1] Li Shuyan(School of Literature,Heilongjiang University,Harbin 150080)

机构地区：[1]黑龙江大学文学院,黑龙江哈尔滨150080

出　　处：《华中师范大学学报（人文社会科学版）》2024年第6期79-88,共10页Journal of Central China Normal University:Humanities and Social Sciences

基　　金：国家社会科学基金重大项目“清代诗人别集丛刊”(14ZDB076);国家社会科学基金一般项目“清代八旗进士群体文学创作研究”(23BZW084);2023年度黑龙江省省属本科高校基本科研业务费科研项目“清代东北籍进士群体文学交献叙录与研究”(2023-KYYWF-1605)。

摘　　要：作为《红楼梦》改编史上第一部戏曲著作,乾嘉时期仲振奎的《红楼梦传奇》自问世便备受瞩目,一时间声动江南,时贤俊彦序跋题词纷纭,内容丰富。考察《红楼梦传奇》嘉庆四年己未绿云红雨山房刻本的序、跋、题词等副文本情况,题写者的身份都与传奇作者仲振奎有着千丝万缕的联系;其书写面向视角多维,或隐括《红楼梦传奇》内容之关键情节,或推扬剧作家艺术改编之创举,或摹绘《红楼梦传奇》彼时剧场搬演之情状,不一而足。而这些副文本撰写之心理机制,“寄情”与“补恨”无疑是剧作家与观剧者心有戚戚焉的心理共鸣。以上问题之揭示,对考察《红楼梦传奇》问世之初的乾嘉剧坛创作生态不无裨益。As the first opera work in the adaptation history of A Dream of Red Mansions,Zhong Zhenkui’s The Legend of a Dream of Red Mansions in the Qianlong and Jiaqing period has attracted a lot of attention since its publication.An investigation into the Green Cloud and Red Rain Mountain House edition of The Legend of a Dream of Red Mansions in the fourth year of Jiaqing has shown that the identity of the writers of the preface,postscript,inscription and other subtexts is inextricably linked to the author of the legend,Zhong Zhenkui;the writing perspective is multi-dimensional,in that it implicitly summarizes the key plot of the content of The Legend of a Dream of Red Mansions,or promotes the creative work of the playwright’s artistic adaptation,or depicts the situation of the theater performance of The Legend of a Dream of Red Mansions at that time.As for the psychological mechanism of writing these subtexts,“expressing emotions”and“making up for hatred”are undoubtedly the psychological resonance of the playwright and the audience.

关 键 词：仲振奎 《红楼梦传奇》 副文本 题写向度 创作机制 

分 类 号：K249.3[历史地理—历史学] I207.37[历史地理—中国史]