体认语言学视角下多模态隐喻漫画的跨文化比较研究  

On cross-cultural comparison of multimodal metaphor caricatures based on embodied-cognitive linguistics

作　　者：曾建松[1] 向环宇 Zeng Jiansong;Xiang Huanyu(School of Foreign Studies,Hunan University of Science and Technology,Xiangtan 411201,China;No.4 Middle School of Liling City,Zhuzhou 412299,China)

机构地区：[1]湖南科技大学外国语学院,湖南湘潭411201 [2]湖南省醴陵市第四中学,湖南株洲412299

出　　处：《辽宁师范大学学报（社会科学版）》2024年第6期96-103,共8页Journal of Liaoning Normal University(Social Science Edition)

基　　金：国家社会科学基金一般项目“西方主流媒体涉华污名化话语的社会认知研究及其对策”(21BYY088);湖南省社会科学成果评审委员会一般项目“习近平总书记治国理政话语风格语用认知研究”(XSP19YBC349)。

摘　　要：漫画是一种常用隐喻来描绘生活或时事的艺术形式。隐喻是人类思维所特有的认知形式。本文以体认语言学视角,具体从跨文化角度分析中美新冠病毒漫画中的概念隐喻机制,比较中美该类漫画多模态隐喻的异同及探究其中原因。研究发现,中美漫画多模态隐喻,在形式表达上的不同源自中美高低语境文化的影响,立足点的不同源自中美民族思维的影响;但在内容上具有较强相似性,其原因在于人类体认的共性、中美文化的相通性,以及人类命运共同体意识的增强。Caricature is an art form mainly using metaphors to portray life or current news.Metaphor is a unique form of human cognition.Based on embodied-cognitive linguistics perspective,this paper cross-culturally analyzes the mechanism of conceptual metaphor in Covid-19 caricatures between China and the US,and explores the similarities and differences and their causes of these multimodal metaphors.The study finds that the differences in form originate from the influence of high and low contextual cultures,the different standing-points from the different thinking modes;while the strong similarity in content is based on the common sense of human embodied-cognition and the similarity of cultures,as well as the coming stronger consciousness of a community of shared future for mankind.

关 键 词：漫画 多模态隐喻 体认语言学 跨文化比较 

分 类 号：H030[语言文字—语言学]