风月无边:论明清小说戏曲插图中的女性“叠腿跷足”图式  

Amorous Feelings of Boundless Fancy:On the Schema of the Female Crossing Legs and Stretching Toes of the Upper Foot in Novels and Dramas from the Ming and Qing Dynasties

作　　者：陈曾媛 CHEN Zengyuan(School of Chinese Classics,Renmin University of China,Beijing 100872,China)

机构地区：[1]中国人民大学国学院,北京100872

出　　处：《内江师范学院学报》2024年第11期7-15,共9页Journal of Neijiang Normal University

摘　　要：明清小说戏曲插图本中存在大量呈“叠腿跷足”坐姿的女子绣像,所属人物或情节泰半关涉声色风月之事,是探究文本叙事与图像视觉关联的重要突破口。明清以来,“叠腿跷足”图式,或构建女子媚态,拓宽图像的叙事空间,牵引读者联想风月情节;或标记女子德行与身份,结合床榻场景,塑造“贱妇”形象,造成图像在玩赏取乐和引以为戒之间的矛盾与徘徊。从清代后期图式出现程式化运用,退却与情节人物的粘连,成为视觉快感的符号,甚至脱离原著旨趣的运用中,可以看到明清以来以大众文化为代表的欲望感官世界与传统审美和道德礼教的相互较量,且前者逐渐占据优势地位。由此,在正统文化的背阴面逐渐浮现出一个愈加鲜活丰富的图像世界。A significant number of illustrations featuring women who are sitting with crossing legs and stretching toes of the upper foot can be found in the illustrated versions of novels and dramas from the Ming and Qing dynasties.The characters or narratives depicted in these illustrations often pertaining to themes of sensuality and amorous affairs can serve as a crucial entry point for exploring the relationship between textual narratives and visual pictures.Since the Ming and Qing dynasties,the schema of crossing legs and stretching toes of the upper foot has been employed in various ways.The schema can either construct a woman’s alluring demeanor,thus expanding the narrative space of the picture and prompting readers to associate it with romantic escapades.It can also signify a woman’s coquetry,especially when combined with bedchamber scenes,creating an image of a strumpet.This results in a tension and oscillation between the enjoyment of the picture and moral admonition.By the late Qing dynasty,this schema became more formulaic.It,lacking the connections between characters and narrative,became a symbol of visual pleasure,even strayed from the original intent of the texts.Since the dynasties of Ming and Qing,there had been an ongoing competition between the desire-driven sensory world represented by popular culture and the established cultural norms,with the former gradually gaining dominance.Thus,this competition reveals a growing and vibrant visual world that contrasts with the traditional aethetics and moral frameworks.

关 键 词：叠腿跷足 女性 风月 插图 视觉文化 

分 类 号：J120.9[艺术—艺术理论]