百工家具中的实用主义美学  

Pragmatic Aesthetics in Baigong Furniture

作　　者：周天辰 吴智慧[1] ZHOU Tianchen;WU Zhihui(College of Furniture and Industrial Design,Nanjing Forestry University,Nanjing 210037,China)

机构地区：[1]南京林业大学家具与工业设计学院,南京210037

出　　处：《家具》2024年第6期71-76,共6页Furniture

基　　金：教育部2021年产学合作协同育人项目(202101148002)。

摘　　要：为更好地探究我国传统家具中的美学价值,对百工家具中所蕴含的实用主义美学进行研究具有十分重要的意义。从百工与百工家具的概念入手,通过实地调研以及文献研究等方法,以剃头匠和箍桶匠家具的演变与发展为例,梳理了百工家具的演变历程。同时介绍实用主义美学的概念与特点,分析实用主义美学的影响与作用,进而建立百工家具与实用主义美学的联系,说明百工家具中所蕴含的实用主义美学内涵,归纳影响百工家具演变的主要因素,并对百工家具以及其中蕴含的实用主义美学理念的发展趋势进行展望。Exploring the aesthetic value of traditional Chinese furniture necessitates a study of the pragmatic aesthetics embodied in Baigong(Hundred hours'workmanship)furniture.Beginning with the concepts of Baigong and Baigong furniture,this paper utilizes field research and literature review to trace the evolution and development of Baigong and Cooper furniture.It then introduces the concept and characteristics of pragmatist aesthetics,analyzes its influence and role,and establishes the connection between Baigong furniture and pragmatist aesthetics.This elucidates the pragmatist aesthetic connotations inherent in Baigong furniture and discusses the key factors shaping its evolution.Finally,the paper forecasts the development trend of Baigong furniture and the pragmatic aesthetic principles it embodies.

关 键 词：百工家具 演变 实用主义 美学 

分 类 号：TS664[轻工技术与工程]