淬沥新之:国家美展与雕塑语言民族化的路径选择  

Working Hard for Improvement:The National Exhibition of Fine Arts and the Path of Sculptural Language Nationalization

作　　者：焦兴涛[1] Jiao Xingtao(Sichuan Fine Arts Institute)

机构地区：[1]四川美术学院

出　　处：《美术》2024年第11期8-15,共8页Art Magazine

基　　金：国家社科基金艺术学西部项目《国家美展视域下的中国雕塑史研究》(项目批准号:22EF209)的阶段性研究成果。

摘　　要：本文以现代雕塑的概念作为切入点,以历届全国美展雕塑展区获奖作品为研究范围,以时间为线索,梳理了中国雕塑民族化的内容、路径和方法,即立足于现代雕塑的概念体系,主动挖掘传统雕塑、民间泥塑以及中国古代美学中的养分,对其进行选择、改造和吸纳。在此过程中,建立了具有中国特色的民族化雕塑语言,同时这也是一个随着时代的改变和当下的需求,不断回应并发展的动态的过程。在此过程中,中国的雕塑家们逐渐把西方的雕塑体系内化于中国化的审美传统和时代精神之中。Taking the concept of modern sculpture as the entry point,this article studies the award-winning works of the sculpture exhibitions of previous National Exhibition of Fine Arts,and combs through the content,path and method of sculptural nationalization in China in a chronological order,namely drawing inspiration from traditional sculptures,folk clay sculptures and ancient Chinese aesthetics on the basis of the modern sculpture concept,and selecting,changing and absorbing them.In this process,nationalized sculptural language with Chinese characteristics has been developed,which is also a dynamic process that constantly deals with changes of the times and meets current needs.Chinese sculptors also embrace sculptural systems in the west and absorb them into aesthetic traditions of China and the spirits of the times.

关 键 词：全国美展 雕塑 写意雕塑 民族化 主题性创作 

分 类 号：J305[艺术—美术]