尼古拉·普桑的寓言式绘画解疑  

Interpreting Nicolas Poussin's Allegorical Paintings

作　　者：刘子琦 Liu Ziqi(Philosophy Department,Shanghai Normal University)

机构地区：[1]上海师范大学哲学系

出　　处：《美术》2024年第11期120-128,共9页Art Magazine

基　　金：国家留学基金委《国家建设高水平大学公派研究生项目》(项目编号:202408310302);上海师范大学高水平地方高校建设一流研究生教育《博士研究生拔尖人才创新人才培育项目——“路易·马兰再现理论研究”》(项目批准号:209-AC9103-23-368072025)的阶段性研究成果。

摘　　要：“隐喻”作为一种修辞手法,不仅常见于语言之中,也在绘画创作领域广泛运用。法国画家尼古拉·普桑的多幅寓言式绘画基于隐喻的“相似性”原则而展开,通过符号机制的运作,实现了图像多层释义的“再创造”。在审视普桑绘画时,多数艺术史研究者往往选择阐释其历史性的传统路径,鲜少从寓言式隐喻视角进行剖析。借助路易·马兰针对普桑作品的理论性论述,本文从“为何设喻”“何以成喻”及“喻隐何处”三个维度进行探讨,揭示普桑在作品中运用寓言式隐喻的动因、运作机制及其多重效用,从而阐明普桑艺术在可见图像表象之下的视觉注解与深层哲思。Metaphor,as a rhetorical device,is common in both language and paintings.French artist Nicolas Poussin created multiple meaning in his allegorical paintings by following the"similarity"principle of metaphor and operating the symbol mechanism.Most art historians adopt the traditional method of interpreting historicity when examining Poussin's paintings,and barely analyze his artworks from an allegorical,metaphorical perspective.With the help of Louis Marin's theoretical discussion on Poussin's works,this article discusses the motivation,operational mechanism and multiple effects of using allegorical metaphors within his artworks from the three perspectives of"purposes behind metaphors","the essence of metaphors",and"hidden metaphors",so as to interpret the visual meaning and deep philosophical thoughts of images.

关 键 词：隐喻 符号机制 相似性 寓言 尼古拉·普桑 

分 类 号：J20-02[艺术—美术]