身体、体育观和国族认同建构——论中国体育电影的叙事主题  

Body,Sports View and Construction of National Identity:On Narrative Themes of Chinese Sports Film

作　　者：张斌 王天翼 ZHANG Bin;WANG Tianyi(Shanghai Film Academy,Shanghai University,Shanghai 200072,China)

机构地区：[1]上海大学上海电影学院,上海200072

出　　处：《上海大学学报（社会科学版）》2024年第6期49-59,共11页Journal of Shanghai University(Social Sciences Edition)

基　　金：国家社会科学基金艺术学重点项目(21AC004)。

摘　　要：近年来,体育电影引发了媒体和观众的广泛关注和热烈讨论。事实上,中国自20世纪30年代开始拍摄体育电影以来,在不同的历史阶段和社会政治语境中展现出不同的面貌和叙事重心的变化。中国内地体育电影叙事主题经历了革命体育观、人民体育观、人文体育观、奥运体育观和复兴体育观的历史变迁,这种变迁与中国体育事业的发展历程相互映照,也与中国社会转型密切相关,体现出身体、体育观和国家发展之间的密切关联,也因此形成了对中国独特的体育文化与体育精神的表达,并以此实现对国族认同的建构。In recent years,sports films have sparked widespread media attention and passionate discussions among audiences.In fact,since China began producing sports films in the 1930s,these movies have exhibited diverse facets and shifting narrative focuses across different historical periods and socio-political contexts.The narrative themes in Chinese mainland sports films have undergone a historical transformation,evolving through perspectives of revolutionary sports,people’s sports,humanistic sports,Olympic sports,and rejuvenation sports.This evolution mirrors the development trajectory of China’s sports industry and is closely intertwined with the country’s social transformation,reflecting the intricate connections between the body,sports views,and national development.Consequently,these films have cultivated a unique expression of China’s distinctive sports culture and spirit,thereby constructing a sense of national identity.

关 键 词：体育电影 叙事主题 国族认同 体育观 身体 

分 类 号：J901[艺术—电影电视艺术]