论宋代景德镇窑青白瓷造像分类  

The Classification of Bluish White Porcelain Statues from Jingdezhen Kiln in the Song Dynasty

作　　者：周波 Zhou Bo(Jingdezhen Ceramic University,Jingdezhen,333403)

机构地区：[1]景德镇陶瓷大学,景德镇333403

出　　处：《陶瓷研究》2024年第4期123-124,127,共3页Ceramic Studies

摘　　要：晚唐五代时期,景德镇地区窑业受到北方定窑制瓷技术的影响,开始生产白瓷,后过渡到青白瓷生产体系。至宋代,以景德镇为中心的青白瓷窑系成为我国重要瓷窑之一。在两宋王朝320多年时间里,景德镇地区烧制的青白瓷,较之于同时期各窑系的瓷器生产而言,品种最多,范围最广。青白瓷雕塑是其中非常重要的类别,而青白瓷雕塑当中的造像,则更是代表了两宋时期雕塑艺术的最高成就,是当时雕塑艺术和陶瓷艺术完美结合的产物,同时也反映了两宋社会环境及社会审美追求。During the late Tang and Five Dynasties period,the kiln industry in Jingdezhen area was influenced by the porcelain making technology of northern Ding kilns,and began to produce white porcelain,which later transitioned to the production system of bluish white porcelain.By the Song Dynasty,the bluish white porcelain kiln system centered around Jingdezhen became one of the important porcelain kilns in China.During the more than 320 years of the Song Dynasty,the celadon and white porcelain fired in the Jingdezhen area had the largest variety and widest range compared to the porcelain production of various kiln systems during the same period.Blue and white porcelain sculpture is a very important category among them,and the statues in bluish white porcelain sculpture represent the highest achievement of sculpture art during the Song Dynasty.It is the product of the perfect combination of sculpture art and ceramic art at that time,and also reflects the social environment and aesthetic pursuit of the Song Dynasty.

关 键 词：青白瓷 宗教造像 世俗造像 

分 类 号：J527[艺术—艺术设计]