新主流电影的“重认”与拓展—以《封神第一部》为例  

The Reaffirmation and Expansion of New Mainstream Cinema: A Case Study of Creation of The Gods I: Kingdom of Storms

作　　者：孙夕然 SUN Xiran(Baicheng Normal University,Baicheng 137000,China)

机构地区：[1]白城师范学院传媒学院,吉林白城137000

出　　处：《赤峰学院学报（哲学社会科学版）》2024年第11期62-65,共4页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

摘　　要：新主流电影与主旋律电影间存在的历史惯性,催生了将新主流电影等同于“革命历史题材”或“重大题材”电影的趋势。然而,这一趋势一方面在现实层面限制了新主流电影的创作空间,同时在理论层面也存在局限,特别是对传统文化与新主流电影之间深层关系的忽视。本文以《封神第一部》为例“重认”新主流电影的边界与可能。The historical inertia between New Mainstream Cinema and Main Melody films has fostered a tendency to equate New Mainstream Cinema with'revolutionary historical themes'or'significant national subjects.'However,this trend restricts the creative space of New Mainstream Cinema at a practical level,while also imposing theoretical limitations,particularly by overlooking the profound relationship between traditional culture and New Mainstream Cinema.This paper uses Creation of the Gods I:Kingdom of Storms as a case study to'reconceptualize'the boundaries and possibilities of New Mainstream Cinema.

关 键 词：《封神第一部》 新主流电影 传统文化 类型电影 

分 类 号：J909[艺术—电影电视艺术]