同声相应:明清之际王铎与中州文士的书画交往  

A Meeting of Like Minds:WANG Duo′s Association with Zhongzhou Literati Through Painting and Calligraphy in Ming and Qing Dynasties

作　　者：杨舒翔 卢富清 YANG Shuxiang;LU Fuqing(College of Special Education,Changchun University,Changchun 130022,China;College of Chinese Language and Literature,Henan University,Kaifeng 475000,China)

机构地区：[1]长春大学特殊教育学院,吉林长春130022 [2]河南大学文学院,河南开封475000

出　　处：《洛阳理工学院学报（社会科学版）》2024年第6期1-6,共6页Journal of Luoyang Institute of Science and Technology：Social Science Edition

摘　　要：作为明清之际极具影响力的书画家、文学家、政治家,素有浓厚乡邦意识的王铎与彭而述、张缙彦、周亮工等中州文士有着深厚情谊,彼此之间除通过诗文唱和、诗酒酬唱、书信往来等方式来往外,书画交往也是他们彼此之间联络的重要方式。中州文士通过对王铎书画理论的接受与批评,认同并确立了王铎作为明清之际中州艺坛领袖的地位,推动了王铎书画作品经典化的进程,并自觉服膺、践行王铎提出的书画理论,相关作品带有明显的“学王”痕迹。WANG Duo,an influential calligrapher,painter,litterateur and statesman in Ming and Qing dynasties,had a strong sense of native land and shared a deep friendship with many Zhongzhou(the central area of ancient China)literati like PENG Ershu,ZHANG Jinyan and ZHOU Lianggong.In addition to poem responsory,singing,drinking and writing letters,calligraphy and painting is also an important way for them to communicate with each other.By accepting and criticizing WANG Duo′s theory of painting and calligraphy,Zhongzhou scholars identified and established WANG Duo′s status as a leader of Zhongzhou art circles during Ming and Qing dynasties,and promoted the process of WANG Duo′s painting and calligraphy classics,consciously submitting to and practicing WANG Duo′s painting and calligraphy theory,with obvious traces of"learning from WANG Duo"later in their related works.

关 键 词：王铎 中州文士 明清之际 书画交往 

分 类 号：J05[艺术—艺术理论]