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作 者:白日·洛桑扎西[1] 张丹 Blo-bzang bKra-shis;ZHANG Dan
机构地区:[1]西藏大学艺术学院,拉萨850000
出 处:《中国藏学》2024年第3期53-62,213,共11页China Tibetology
基 金:国家社会科学基金冷门绝学研究专项学者个人项目“西藏彩塑艺术遗存调研与保护对策研究”(项目编号:22VJXG011)阶段性成果。
摘 要:2021年,在桑耶寺修缮过程中,从转经道路基下挖出一块石刻造像圆雕残件,这块造像的体量足有真人大小,仅存造像躯干,与一直存放于桑耶寺桑丹林佛殿院内的一块石刻圆雕残件适配,这块石刻残件恰好仅剩下造像半身,而且在造像的座台前面留有两排略有缺失的藏文石刻题记,为研究和了解石雕造像的历史背景提供了线索。佛教文化对藏族石刻艺术的推动发展起到了至关重要的作用,创作了石板石刻浮雕、摩崖石刻群和斯乌蔡黑石雕刻以及石胎泥像等种类繁多、精美绝伦的石雕造像作品,但是这种相对大尺寸的纯石刻圆雕造像遗存在卫藏地区乃至整个青藏高原实属少见,因此这块石刻圆雕残件的出现对研究藏族传统雕塑艺术发展史具有重要的历史意义和研究价值。文章根据实地调研并结合既有研究和文献资料,初步讨论了这件石雕残件的表现题材、原作归属、雕刻手法、雕刻时间和造型风格以及发现的意义。In 2021, during the renovation of bSam-yas Monastery, a stone statue was dug out from under the foundation of the prayer path The size of this statue is full of life size, and only the torso of the statue is left,which is matched with a stone statue that has been stored in the courtyard of the bSam-gtan-gling of bSam-yas Monastery In addition, there are two rows of slightly missing Tibetan inscriptions in front of the statue's seat,which provide clues for the study and understanding of the historical background of the statue Buddhist culture has played a vital role in promoting the development of Tibetan stone carving art, creating a wide variety of exquisite stone carving works, such as relief stone carving, cliff stone carving group, Siwucai black stone carving and stone core statues However, such relatively large-sized pure stone round carving statue is rare in the dBus-gtsang region and even the entire Qinghai-Xizang Plateau Therefore, the appearance of this relic has important historical significance and research value for the study of the development history of Tibetan traditional sculpture art Based on the field investigation and the existing research and literature, this paper preliminarily discusses the expression theme, original attribution, carving technique, carving time and style, as well as the significance of the discovery.
分 类 号:K879.3[历史地理—考古学及博物馆学]
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