生物艺术语境下植物行为的可视化设计研究  

Research on Visual Design of Plant Behavior in the Context of Biological Art

作　　者：陈赛 Chen Sai(Guangzhou Academy of Fine Arts,Guangzhou 510261,China)

机构地区：[1]广州美术学院,广州510261

出　　处：《艺术与设计（理论版）》2024年第11期56-58,共3页Art and Design

摘　　要：随着二十一世纪生物科学与数字科技的迅猛发展,生命体与非生命体、生物与机器、现实与虚拟之间的界限日益模糊。生物艺术作为生物学与艺术学交叉融合的产物,正朝着信息化、数字化、智能化的方向演变。实验室作为新形式分子生命的孵化工厂,正借助新兴的可视化技术,开创理解生命的新途径,使生命得以在分子层面被重新审视。文章聚焦于以植物为媒介的可视化设计,通过跨学科理论与案例分析,在生物艺术的多重语境下全面探讨植物行为的复杂性与智能性。旨在探索艺术与科技的融合如何弥补人类感知与植物行为之间的鸿沟。研究致力于打破传统认知偏见,将植物视为具有复杂行为和灵敏环境感知能力的有机生命体,而非仅仅作为风景的一部分,以此引导人们重新审视人与植物、自然之间的深层关系。With the rapid development of biological science and digital technology in the twenty-first century,it has led to an increasing blurring of the boundaries between living and non-living organisms,living beings and machines,and reality and the virtual.Bioart,as a product of the cross-fertilisation of biology and art,is evolving in the direction of informatisation,digitisation and intelligence.The laboratory,as an incubation factory for new forms of molecular life,is creating new ways to understand life with the help of emerging visualisation technologies,enabling life to be re-examined at the molecular level.[1]This study focuses on plant-mediated visualisation design,and comprehensively explores the complexity and intelligence of plant behaviour through interdisciplinary theories and case studies in the multiple contexts of bio-art It aims to explore how the integration of art and technology can bridge the gap between human perception and plant behaviour.The research is committed to breaking down the traditional cognitive bias to view plants as organic living beings with complex behaviours and sensitive environmental perception,rather than just as part of the landscape,thus leading people to re-examine the deeper relationship between human beings,plants and nature.

关 键 词：生物艺术 数字科技 植物行为 可视化设计 

分 类 号：J05[艺术—艺术理论]