从中国传统绘画的“空间叙事”视角探究当代影像艺术创作  

Exploring Contemporary Video Art Creation from the Perspective of"Spatial Narrative"in Chinese Traditional Painting

作　　者：常雨晴 Chang Yuqing(School of Design,Central Academy of Fine Arts,Beijing 100105,China)

机构地区：[1]中央美术学院设计学院,北京100105

出　　处：《艺术与设计（理论版）》2024年第11期96-98,共3页Art and Design

基　　金：国家自然科学基金青年基金项目项目编号:51903184;山西省高等学校一般性教学改革创新项目项目编号:J20230205。

摘　　要：文章探讨了中国传统绘画中的“空间叙事”如何影响当代影像艺术创作。文章以空间叙事的逻辑视角,对媒介与技术的互动以及传统绘画对未来影像艺术和媒介发展的前瞻做了横向的分析,综合讨论了由绘画到影像艺术转变及其背后的文化逻辑。通过分析中国画的叙事性和空间性,与西方绘画进行比较,探索了从绘画到影像的媒介转化,并结合作者作品《草木屏生》①,讨论了屏风作为媒介在当代影像创作中的应用,尤其是在空间叙事中的表现。通过研究,揭示了传统艺术观念在当代影像中的创新与延续。This article discusses how the"spatial narrative"in traditional Chinese painting influences the creation of contemporary video art.From the logical perspective of spatial narrative,the article analyzes the interaction between media and technology as well as the foresight of traditional painting on the future development of video art and media,and discusses the transformation from painting to video art and the cultural logic behind it.By analyzing the narrative and spatiality of Chinese paintings and comparing them with Western paintings,the medium transformation from painting to video is explored.Combined with the author's work"The Cycle of Life",the application of screen as a medium in contemporary video creation is discussed,especially in the spatial narrative.The study reveals the innovation and continuity of traditional artistic concepts in contemporary images.

关 键 词：传统绘画 空间叙事 当代影像 创作方法 

分 类 号：J0[艺术—艺术理论]