点景人物在现代工笔中的语境转换  

The Contextual Transformation of Point Scene Characters in Modern Fine Brushwork Painting

作　　者：石洛微 Shi Luowei(Northwest University,Xi'an 710127,China)

机构地区：[1]西北大学,西安710127

出　　处：《艺术与设计（理论版）》2024年第11期99-102,共4页Art and Design

摘　　要：点景人物作为中国传统写意绘画中的一种创作手法,以“点”的形式展现,营造有意境的画面效果,通过对不同时代的中国画的画面构成及创作手法的分析,发现其表现形式众多,可在各种艺术语境中进行转换,具有丰富作品和点明主题的作用,产生独特的视觉效果。在现代工笔中,点景人物有独特的语境转换过程,是与时代背景、文化语境、绘画思潮和艺术家自身境遇相关联。此外,基于对前辈艺术家绘画创作经验的深入分析,论现代工笔画家如何将点景人物的传统表现形式与现代审美观念相结合,并联系中西艺术融合的实践探索。As a creative technique in traditional Chinese freehand painting,point scenery and figures are presented in the form of"dots"on the screen to create an artistic effect.Through the analysis of the composition and creative techniques of Chinese paintings in different eras,it is found that there are many forms of expression that can be transformed in various artistic contexts,enriching the content of the work and highlighting the theme,producing unique visual effects.In modern gongbi,point and scene characters have a unique process of contextual transformation.And this process is related to the historical background,cultural context,painting trends,and the artist's own situation.This article starts with the context transformation of point and scene characters in modern gongbi painting,explores the characteristics and advantages of point and scene characters,and explores new directions in modern gongbi painting creation.Based on the years of painting creation experience of predecessors,it conducts exploration and research,providing better theoretical guidance and practical experience for future artisticcreation.

关 键 词：点景人物 传统绘画 现代工笔画 

分 类 号：J2[艺术—美术]