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作 者:李志艳[1] Li Zhiyan
机构地区:[1]广西大学文学院,南宁530004
出 处:《东岳论丛》2024年第11期38-47,191,共11页DongYue Tribune
基 金:国家社科基金重大招标项目“中国文学地理学文献整理与理论研究”(项目编号:23&ZD279)阶段性成果。
摘 要:文学性是文学研究不可避免的基本问题,西方已有的文学理论,如语言学研究、空间研究、文学地理学研究、景观研究等存在着因看重语言中心论和空间研究而回避文学性研究的不足。中国的文学地理学研究偏向于人地互证、诗史互证,在文学审美学的研究方面也存在着欠缺。这让我们重回中国古代文论,从空间、身体乃至于语言学相结合的维度上提出文学性思想有了充分的理由。在中国古代文论中,具身、游身、在身与空间发生学、空间存在论和空间此在论有着明确的对应关系,这三者内在的逻辑关系支撑了文学性即空间情境化理论思想的提出,并且为文学性研究、中国文学地理学的文学审美学研究乃至当代文学批评提供了启示。Literariness is an inevitable fundamental issue in literary research.The existing literary theories in the West,such as linguistic research,spatial research,literary geography research,landscape research,etc.,have shortcomings in avoiding literary research through linguistic centrism and spatial research.The study of literary geography in China tends to focus on the mutual verification of human and land,poetry and history,and there is also a lack of research in literary aesthetics.This brings us back to ancient Chinese literary theory and provides ample reasons to propose literary ideas from the dimensions of space,body,and even linguistics.In ancient Chinese literary theory,there is a clear correspondence between Ju Shen(具身,the embodied body),You Shen(游身,the traveling body),Zai Shen(在身,the existing body)and spatial genesis,spatial ontology,and spatial dasein.The inherent logical relationship between these three supports the theoretical idea of literary contextualization,which provides inspiration for literary studies,literary aesthetics research in Chinese literary geography,and even contemporary literary criticism.
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