从新兴木刻到延安木刻:古元的创作转变与图像建构研究  

From Emerging Woodcut to Yan'an Woodcut:A Study on the Creative Transformation and Image Construction of Gu Yuan

作　　者：杨新芳 沈宝莲[1] YANG Xinfang;SHEN Baolian(School of Marxism,Xi'an Academy of Fine Arts,Xi'an Shaanxi,710065,China)

机构地区：[1]西安美术学院马克思主义学院,陕西西安710065

出　　处：《文化创新比较研究》2024年第28期73-77,共5页Comparative Study of Cultural Innovation

基　　金：2023年度西安美术学院人文社科一般项目“延安木刻版画与中国共产党的形象塑造研究”(项目编号:2023RY02)的阶段成果。

摘　　要：在新兴木刻到延安木刻这一先进的美术浪潮中,木刻艺术家在讴歌时代、书写人民中实现了艺术创作的重要转变。被誉为“边区歌手”的古元,在鲁迅艺术文学院求学时,模仿外国木刻的创作并呈现出尝试突破的自觉意识;碾庄时期的艺术下乡实践推动了古元从“形”似转向“接地气”的现实主义艺术创作;在探索“中西融合”的木刻艺术创作中实现了木刻艺术民族化风格的转变。古元从模仿借鉴—图像创造性表达—吸收传统与民间艺术形成了一条中国本土化的艺术探索之路,既为创新木刻版画艺术风格提供了范例,也为新时代的文艺工作者繁荣文艺创作、推动文艺创新提供了经验启示。In the advanced art wave from emerging woodcut to Yan'an woodcut,woodcut artists have achieved an important transformation in artistic creation by singing praises to the times and writing about the people.Gu Yuan,known as the"Border Region Singer",imitated foreign woodcut creations and showed a conscious awareness of trying to break through while studying at Lu Xun Academy of Arts and Literature.The practice of"Nianzhuang Art Going to the Countryside"promoted Gu Yuan's realistic artistic creation from"form like"to"down-to-earth".In exploring the integration of Chinese and Western woodcut art creation,a transformation of the national style of woodcut art has been achieved.Gu Yuan formed a localized and Chinese style artistic exploration path by imitating and borrowing,creatively expressing images,and absorbing traditional and folk art.This not only provides an example for innovative woodcut printmaking art styles,but also provides experience and inspiration for literary and artistic workers in the new era to prosper literary and artistic creation and promote literary and artistic innovation.

关 键 词：古元 新兴木刻 延安木刻 创作转变 图像建构 民族风格 

分 类 号：J217[艺术—美术]