非遗题材纪录片制作的文化价值、发展症结与突破路径  

Cultural Value,Development Problems and Breakthrough Paths of the Documentary Production on the Theme of Intangible Cultural Heritage

作　　者：孙立青 SUN Liqing(School of Literature and Journalism,Leshan Normal University,Yeshan 614000,China)

机构地区：[1]乐山师范学院文学与新闻学院,四川乐山614000

出　　处：《集美大学学报（哲社版）》2024年第6期28-33,83,共7页Journal of Jimei University(Philosophy and Social Sciences)

基　　金：四川省哲学社会科学基金项目“21世纪以来中国非物质文化遗产影像传播研究”(SCJJ24ND219)。

摘　　要：非遗题材纪录片的发展推动了非遗影像记忆空间建构,传承与传播了中华优秀传统文化,培育和壮大了非遗项目传习群体。其制作面临着缺少非遗项目全方位展现、年轻化表达策略运用不足、跨文化传播存在症结、市场发行存在制约等问题。为进一步做好非遗题材纪录片的制作与发行工作,推动非遗的传承与传播,增进中华民族文化认同与文化自信,提升中华文明传播力和影响力,应形成非遗题材纪录片多元制作主体、运用年轻化表达策略、全方位展现非遗项目精髓、推动纪录片的跨文化传播和实现纪录片的多元宣发。The production of documentaries on the theme of intangible cultural heritage(ICH)has promoted the construction of image memory space for ICH,inherited and spread fine traditional Chinese culture,and cultivated and strengthened the groups of ICH projects.However,it faces such problems as the lack of comprehensive displays of ICH projects,insufficient use of younger-oriented expression strategies,obstacles in cross-cultural communication,and constraints in market distribution.To further improve the production and distribution of documentaries on the theme of ICH,promote ICH inheritance and dissemination,enhance the cultural identity and cultural confidence of the Chinese nation,and improve the dissemination power and influence of Chinese civilization,we should form multiple production subjects for documentaries on the theme of ICH,apply younger-oriented expression strategies,comprehensively display the essence of ICH projects,promote cross-cultural communication of documentaries,and achieve diversified promotion and distribution of documentaries.

关 键 词：非物质文化遗产 纪录片 影像记忆 中华优秀传统文化 年轻化表达 

分 类 号：J952[艺术—电影电视艺术]