寻找蓝夹缬(下)  

In Search of Lanjiaxie(Ⅱ)

作　　者：袁敏(文/图) 

机构地区：[1]不详

出　　处：《浙江画报》2024年第11期68-73,共6页Zhejiang Pictorial

摘　　要：当我对中雁非遗体验馆庭院里晾晒的蓝夹缬散发出来的美发出由衷赞叹时,陈献武老师却对我说,蓝夹缬的美,关键是雕版。假如没有雕版艺人的一双巧手,在木板上精雕细刻出美丽的图案和花纹,染匠就算有天大的本事,也无法印染出那些让人喜爱的蓝夹缬。陈老师的这番话让我心里一震。出于对蓝夹缬的喜爱,我曾查找过蓝夹缬的一些资料,了解到20世纪90年代末,台湾汉声杂志社曾三次到浙南,对蓝夹缬工艺进行有史以来第一次较为深入的田野调查,详尽地记录了打靛、印染两项流程,但对陈老师口中最核心的雕版技艺却缺乏细致的记载。The beauty of blue clamp-dyeing(Lanjiaxie)lies primarily in its woodblocks.Without the skilled woodblock artisans meticulously carving beautiful patterns and designs onto the wooden boards,even the most talented dyers would be unable to produce the graceful blue clamp-dyeing.The patterned woodblocks used by hundreds of blue clamp-dyeing workshops once scattered throughout southern Zhejiang were all supplied by two major families:theShi and Su families from Gaolou in Rui'an,Wenzhou.

关 键 词：陈老师 雕版 体验馆 精雕细刻 田野调查 

分 类 号：G63[文化科学—教育学]