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作 者:赵牧 ZHAO Mu
出 处:《天津师范大学学报(社会科学版)》2024年第6期120-129,共10页Journal of Tianjin Normal University(Social Science)
基 金:国家社会科学基金一般项目(2020BZW183);广西高校人文社科重点基地重大项目(T32100979024)。
摘 要:作为“东北作家群”中独具特色而又有延安身份的女作家,白朗的小说中一直充满了强烈的革命气质。从20世纪30年代初入文坛,到1941年奔赴革命圣地延安,白朗在创作中不断借用“出走”的叙事框架表达“反抗”的革命理想,其间虽有着浓厚的左翼革命文学的特色,却也混杂了“五四”以来启蒙文学的观念,以及不愿受困于男权话语的女性意识。此后流亡上海期间,因“国防意识”高涨和受“九一八”国难文学启示,而将“怀乡”纳入“救亡”叙事框架,但仍不时在抵抗与服从的辩证中使革命女性的自我意识成为“可见之物”。因“全面抗战”的爆发,延安作为革命圣地的形象日益突出并吸引无数热血青年,白朗也一度前往山西抗日前线“劳军”,并充满对陕甘边区的向往,其小说中“出走”的冲动与“革命”的指向,也逐渐凝结为奔赴延安的情感结构。As a unique female writer with a Yan’an identity in the northeast writers group,Bai Lang’s novels have always been full of strong revolutionary temperament.From entering the literary world in the early 1930s to rushing to the revolutionary holy land of Yan’an in 1941,Bai Lang constantly used the narrative framework of“running away”to express the revolutionary ideal of resistance in her creations.Although she had strong characteristics of leftwing revolutionary literature,she also mixed the concepts of enlightenment literature since the May Fourth Movement and the female consciousness that did not want to be trapped by male dominated discourse.During her exile in Shanghai,due to the rising awareness of national defense and the inspiration from the literature of the September 18th Incident,she incorporated“homesickness”into the narrative framework of“salvation”.However,she still occasionally made the self-awareness of revolutionary women visible in the dialectical struggle between resistance and obedience.With the outbreak of the full-scale resistance war,Yan’an’s image as a revolutionary holy land became increasingly prominent and attracted countless passionate young people.Bai Lang also once went to Shaanxi to fight against Japan as a labor army and was full of longing for the Shaanxi Gansu border area.The impulse to“running away”and the direction of revolution in her novels gradually condensed into the emotional structure of going to Yan’an.
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