同声与异响:明代前后七子歌行体诗创作考察  

The Same Sound and Different Sound:a Study on the Creation of the Gexing by the Former and the Latter Seven Litterateur

作　　者：巴壮壮 BA Zhuang-zhuang(School of Literature,Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学文学院,天津300071

出　　处：《内蒙古大学学报（哲学社会科学版）》2024年第5期67-74,共8页Journal of Inner Mongolia University(Philosophy and Social Sciences)

基　　金：2023国家青年社科基金项目(项目批准号:23CZW006)。

摘　　要：弘治至嘉靖时期,以前后七子为中心的复古派作家歌行体诗创作兴盛,且表现出与前代作家不同的创作特征。前七子歌行体诗在模仿中注重创新变化,重神韵而轻形似,注重自我意识表达和书写。后七子承继复古理论并作出调整,歌行体诗艺术成就虽略逊于前人,但具启示明清之际复古派诗家的文学史意义。前后七子在创作理论上具有相承性,皆宗尚初盛唐歌行,重视歌行体诗的情感叙述与社会价值功用,具有浓重写实倾向。影响所及,对明清之际以歌行为代表性创作的云间、娄东二派有着重要的借鉴意义。考察这一文学史现象,对理解明清诗学有重要意义。During the period from Hongzhi to Jiajing,the retro writers centered on the former and latter seven litterateur flourished in the creation of Gexing,and showed different creative characteristics from the previous generation of writers.In the imitation of the former seven litterateur′poems,they focus on innovation and change,emphasizing charm over form,and emphasizing self-consciousness expression and writing.The latter seven litterateur inherited the retro theory and made adjustments.Although the artistic achievements of the poems were slightly inferior to those of their predecessors,they had literary historical significance in inspiring retro poets during the Ming and Qing dynasties.In terms of creative theory,the former and the latter seven litterateur have a continuity.They all follow the Gexing of the early and prosperous Tang Dynasty,attach importance to the emotional narrative and social value function of the Gexing,and have a strong tendency towards realism.Affected by the Ming and Qing dynasties,the two schools of Yunjian and Loudong formed a representative poetry group created by Gexing.Studying this phenomenon in literary history is of great significance for understanding the poetics of the Ming and Qing dynasties.

关 键 词：歌行体诗 前后七子 复古 

分 类 号：I206.2[文学—中国文学]