日本传统数寄屋“奥空间”理念在现代住宅中的再设计——以安藤忠雄三个住宅设计为例  

Redesign of the Japanese Traditional Sukiya“Oku Space”Concept in Modern Houses——Three Residential Designs by Tadao Ando as Examples

作　　者：黄成 符文卓 梁磊 Huang Cheng;Fu Wenzhuo;Liang Lei

机构地区：[1]安徽建筑大学艺术学院,安徽合肥230601

出　　处：《家具与室内装饰》2024年第11期132-139,共8页Furniture & Interior Design

基　　金：安徽省哲学社会科学规划项目(AHSKY2022D201);徽派建筑安徽省重点实验室开放课题(2024HPJZ-ZR01)。

摘　　要：“奥空间”作为区域空间构造法则,暗含包裹、隐匿、中心等含义,被广泛应用于日本数寄屋风格的茶室或住宅建筑中。根据建筑家桢文彦的观点,“奥空间”不仅具有普遍意义的空间形态特征,也有建筑物理空间给人带来的身感、体悟。从数寄屋的历史样式、典型茶室类型溯源,探讨传统数寄屋的空间形态特征及其精神内蕴,以实践的角度,研究安藤忠雄早期于日本关西地区设计的三个具有代表性的数寄屋类型建筑,论述日本传统数寄屋“奥空间”理念在现代住宅中的影响,促进现代住宅继承传统“奥空间”设计精神的积极探索意义,以期给当下人居环境设计的研究提供借鉴与启示。As a regional spatial construction principle,the“Oku Space”concept,implying envelopment,concealment,and centricity,is widely applied in Japanese Sukiya-style tea rooms and residential buildings.According to the architect Fumihiko Maki,“Oku Space”not only embodies universal spatial characteristics but also evokes a physical and experiential response to the built environment.This paper traces the historical styles and typical types of Sukiya teahouses to explore the spatial characteristics and spiritual connotations of traditional Sukiya.It further examines three representative Sukiya-type residences designed by Tadao Ando in Japan’s Kansai region during his early career.The study discusses the influence of the“Oku Space”concept from traditional Sukiya on modern residential design,encouraging active exploration to inherit the spirit of traditional“Oku Space”in modern housing.The findings aim to provide references and inspiration for contemporary research on human-environment design.

关 键 词：奥空间 数寄屋 安藤忠雄 住宅设计 

分 类 号：TS664.1[轻工技术与工程]