从梁启超的文化史观到20世纪早期中国文化通史的书写  

From Liang Qichao’s View of Cultural History to the Writing of the General History of Chinese Culture in the Early 20th Century

作　　者：李天星 Li Tianxing

机构地区：[1]东华大学马克思主义学院

出　　处：《中国文化研究》2024年第4期44-55,共12页Chinese Culture Research

基　　金：上海市教育委员会科研创新计划重大项目“重构中国:中国现代史学的知识谱系(1901—1949)”(2017-01-07-00-05-E00029)阶段性成果;中央高校基本科研业务费专项资金资助。

摘　　要：20世纪初,梁启超高擎“史界革命”大旗,加速了中国史学由传统向近代的转型。在新史学思潮的激荡中,随着史学专业化的强化和“国史”(通史)观念的形塑,基于对旧史学“详于政事而略于文化”缺陷的共识,以及通过文化发扬以振奋民族精神的现实诉求,20世纪早期出现一批中国文化通史性著作。梁启超文化史观中关于文化史学的基本论断,在这些著作中都有不同程度的彰显或回应。尤其注重从进化论的视角阐释中国文化的演进,同时试图从中得出历史因果的规律性认知,为寻求文化自信,实现民族复兴提供精神动力。At the beginning of the 20th century,Liang Qichao raised the banner of“historiography revolution”and accelerated the transformation of Chinese historiography from traditional to modern times.In the agitation of the new historical trend of thought,with the strengthening of the specialization of historiography and the shaping of the concept of general history,based on the common understanding of the lack of cultural records in the old historiography,and the realistic demand of inspiring the national spirit through cultural development,a batch of general historical works of Chinese culture appeared in the early 20th century.The basic judgment of cultural history in Liang Qichao’s cultural history view has been highlighted or responded to to varying degrees in these works.Pay special attention to explaining the evolution of Chinese culture from the perspective of evolution,and at the same time try to draw the regular cognition of historical cause and effect,so as to provide spiritual power for seeking cultural confidence and realizing national rejuvenation.

关 键 词：梁启超 新史学 文化史观 中国文化史 通史 

分 类 号：K2[历史地理—历史学]