戏剧艺术“写意”概念探析  

Analysis on the Concept of Xieyi in Drama

作　　者：冉常建 Ran Changjian

机构地区：[1]中国戏曲学院

出　　处：《美术观察》2024年第12期27-30,共4页Art Observation

基　　金：2019年度教育部哲学社会科学研究重大课题攻关项目“中国特色戏剧学学科建设研究”阶段性成果,项目编号:19JZD035。

摘　　要：戏剧艺术中的“写意”概念经历了一个在多方面因素影响下不断演进的复杂过程。从古至今,“写意”在戏剧艺术中的概念源流与理论外延,经历了从阐释中国戏剧的艺术特征到戏剧观念,再到美学原则的嬗变。这体现了中国戏剧艺术不断自我完善和发展的过程,也是对中国戏曲本质的认识不断深化的过程。写意美学是表意主义戏剧的核心概念,只有以中国文化与传统美学为根基,以戏曲实践为依据,才能构建起中国戏剧自身的理论体系。The concept of Xieyi in drama art has undergone a complex process that continues to evolve under the influence of many factors.From ancient times to the present,the conceptual origin and theoretical extension of Xieyi in drama art has undergone the transmutation from explaining the artistic characteristics of Chinese drama to dramatic concepts,and then to aesthetic principles,which reflects the process of the continuous self-improvement and development of Chinese drama,as well as a process of deepening the understanding of the essence of Chinese opera,The aesthetics of Xieyi is the core concept of ideographic drama,and only by taking Chinese culture and traditional aesthetics as the foundation and taking opera practice as the basis,can we construct the theoretical system of Chinese drama itself.

关 键 词：写意美学 写意戏剧观 表意主义戏剧 

分 类 号：J805[艺术—戏剧戏曲]