提香:鲜活的肉身  

Titian's Carne Viva

作　　者：玛丽亚·H·洛 陈思航(译) Maria H.Loh

机构地区：[1]普林斯顿高等研究院历史学院 [2]北京大学艺术学院

出　　处：《美术观察》2024年第12期31-42,共12页Art Observation

摘　　要：本次讲座聚焦于提香塑造儿童与动物的奇妙技法,探讨提香的神话绘画与宗教绘画,以及他为意大利备受宠爱的贵族孩童们绘制的肖像。提香绘制的鲜活肉身,对他所画的对象是否产生了现实影响?他用令人信服的技法画出的孩童与动物,是如何启迪了文艺复兴时期的观者,又如何塑造了他们的观念?在提香所处的时空,艺术创作与贵族繁衍的脉络相互交织。提香这些作品的委托人与画中人,属于紧密的权力社会与特权网络。主讲人玛丽亚·H·洛通过细致地分析画作的视觉元素,考量艺术的社会史,帮助我们更好地理解提香在这充满竞争的世界里得以自处的过程。This lecture focus on Titian's uncanny ability to capture children and animals.Consideration was given to Titian's mythological and religious paintings as well as some portraits that he made of the cosseted children of the Italian elite.Did Titian's carne viva have real-life consequences forthis group?How didthe children and animals hedipictedwith canvincing techniques inspire Renaissance viewers and shape their ideas?Artistic production intersected with dynastic reproduction in Titian's time and space.The patrons and sitters of Titian's works belonged to a tight social network of power and privilege.Speaker Maria H.Loh's meticulously visual analysis and considerations of the social history of art helped us see how Titian successfully navigated his way through this competitive world.

关 键 词：提香 文艺复兴 儿童绘画 动物绘画 

分 类 号：J205[艺术—美术]