图像语境下绘画的可能性——大卫·霍克尼的启示  

The Possibility of Painting in the Context of Images--The Inspiration of David Hockney

作　　者：丛文佳 Cong Wenjia

机构地区：[1]西安美术学院油画系

出　　处：《美术观察》2024年第12期73-76,共4页Art Observation

摘　　要：大卫·霍克尼在图像语境下创作了众多具有创新性艺术手法的作品,其绘画语言之变化、观念之创新,不断地启示着我们。本文重新审视图像语境下霍克尼赋予绘画艺术的崭新地位,探讨图像语境下的新绘画具有的重要意义,并且深入了解霍克尼如何拓展了绘画与图像时代技术结合产生的新活力,分析科技渗透下的绘画发展与审美趋势,揭示图像语境下绘画的创新性和前瞻性。霍克尼的实践不仅是一场图像艺术的实验,更是对传统绘画范式的颠覆和重新定义。David Hockney has created many works with innovative artistic techniques in the context of images.The changes of his painting language and the innovation of his ideas constantly inspire us.This paper reviews the new status of painting art given by Hockney in the context of images,discusses the significance of new painting in the context of images,and deeply understands how Hockney has expanded the new vitality generated by the combination of painting and image era technology,analyzes the development and aesthetic trend of painting under the infiltration of science and technology,and reveals the innovation and foresight of painting in the context of images.Hockney's practice is not only an experiment in image art,but also a subversion and redefinition of the traditional painting paradigm.

关 键 词：图像语境 数字技术 大卫·霍克尼 

分 类 号：J205[艺术—美术]