道家哲学对《二十四诗品》美学思想的影响  

The Influence of the Tao Philosophy on the Aesthetic Thought of Twenty-four Evaluations of Poems

作　　者：孙雪姣 萧平 SUN Xuejiao;XIAO Ping(Hunan Normal University,Changsha 410000,China)

机构地区：[1]湖南师范大学,湖南长沙410000

出　　处：《广西科技师范学院学报》2024年第4期9-17,共9页Journal of Guangxi Science & Technology Normal University

基　　金：国家社科基金项目“唐宋时期道家的自然观念及其与儒家、佛教思想的互动研究”(22BZX047)。

摘　　要：《二十四诗品》是唐朝末年形成的一部诗歌美学鉴赏专著,其美学思想深受儒学、佛教、道家思想的影响,而尤以道家的影响为甚,主要体现在审美本体论、意境论、人格论三个方面。在本体论方面,《二十四诗品》中“超以象外,得其环中”的逻辑起点与最高目标,即道家的自然之“道”;在意境论方面,道家哲学影响了《二十四诗品》对虚实相生、情景交融的追求;在人格论方面,《二十四诗品》中的“美人”“佳士”人格形象与《庄子》中“畸人”形象的审美内涵相通,“旷达”的审美人生追求与道家的“与天地精神往来”的人生理想遥相呼应。Twenty-four Evaluations of Poems(er shi si shi pin)is a monograph on the aesthetic appreciation of poems at the end of the Tang Dynasty,and its aesthetic thought is deeply influenced by Confucianism,Buddhism,and Taoism,while the influence of Taoism is especially obvious,mainly in the aesthetic ontology,contextualization,and personality theory.In terms of ontology,the logical starting point and the highest goal of“transcend the image the world and attain the center of the universe”in the book is the Taoist“Tao”of nature.Concerning contextualization,the Tao philosophy influences the book in its pursuit of the interplay of the real and the imaginary,and the blending of situations.With regard to personality theory,the personalities of“beauty”(mei ren,美人)and“good scholar”(jia shi,佳士)are similar to the aesthetic connotations of the images of“monstrous man”in Chuang Tzu,and the aesthetic pursuit of“open-mindedness”echoes with the Taoist ideal of“communicating with the spirit of heaven and earth”.

关 键 词：《二十四诗品》 道家 美学 自然 意境 

分 类 号：I01[文学—文学理论]