“浪漫化”修辞:社交媒体中“抑郁症”的概念建构及其社会后果  

Romanticization Rhetoric:The Concept Construction of Depression on Social Media and Social Consequences

作　　者：彭华新[1] 丁香 Peng Huaxin;Ding Xiang

机构地区：[1]深圳大学传播学院,深圳518000

出　　处：《新闻春秋》2024年第6期86-95,共10页Journalism Evolution

基　　金：广东省哲学社会科学规划项目“健康传播视角下疫情防控的媒介语言伦理研究”(项目编号:GD22CXW03)的阶段性成果。

摘　　要：“抑郁症”是近年来社交媒体中的公共阐释现象,这一概念已从医学范畴延伸至大众文化圈层,并逐渐在社会各层面扩散。聚焦于“抑郁症”概念在社会范围内的流行,对社交媒体中“抑郁症”的媒介呈现与话语生产模式进行研究,可发现“抑郁症”的话语场呈现出独特图景,围绕“抑郁症”议题的话语生产模式也显得复杂多元。新媒体的赋权,打破了制药业、医学会、专家学者等对疾病话语权的垄断,具有切身体验的患者或潜在患者也能参与到医学知识的建构中,获得部分的疾病阐释权。在此过程中,“抑郁症”概念扩散将难以避免地产生消极引导,这需要在研究中系统观察和梳理。The term depression has emerged as a phenomenon of public interpretation on social media in recent years,extending from the medical domain into popular culture and gradually spreading across various levels of society.By focusing on the societal prevalence of the concept of depression,and examining its media representation and discourse production on social media,a unique landscape of depression-related discourse becomes evident,characterized by a complex and diverse model of discourse production.Empowered by new media,this model disrupts the monopoly on discourse by pharmaceutical companies,medical associations,and experts,allowing individuals with personal experience of depression or potential sufferers to contribute to the construction of medical knowledge and gain partial interpretive authority over the disease.In this process,the concept's diffusion may inevitably lead to negative influences,highlighting the need for systematic observation and analysis in research.

关 键 词：“抑郁症” 概念 修辞 社会建构 

分 类 号：G210[文化科学—新闻学]